· Print on canvas
· 3.5 cm wide, white margin around all four edges, suitable for mounting on stretcher frames or for mounting on individual backgrounds
· twofold hand-varnishing
· stamp signed
DUCKOMENTA original :
Oil on canvas, 750 × 550 mm
No reliable record remains of the identity of the sitter for Leonardo da Vinci’s commissioned portrait.
The version shown here was never delivered to the individual who commissioned it. It remained in Leonardo’s private collection until his death in 1519.
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DUCKOMENTA original :
Oil on wood, 650 × 500 mm
No one really knows why Rembrandt discarded this version of the famous painting of a figure wearing a golden helmet. It has helped to sustain the legend of the great painter though...
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DUCKOMENTA original:
Pen and ink on paper, 370 x 240 mm
The matter of why some proportions seem out of place is often raised on examination of this drawing.
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DUCKOMENTA original :
Oil on canvas, 630 x 790 mm
The first, discarded sketch of the cherubs of the Sistine Madonna
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DUCKOMENTA original :
Oil on canvas, 400 × 500 mm
One document suggests that angels are rather vain.They loathe portraits in which their cheeks are puffed out unflatteringly to blow into an instrument. For three years, from 1521–1524, Rosso Fiorentino negotiated with this angel, until he finally came up with the right instrument for his subject: a lute.
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DUCKOMENTA original :
Oil on wood, 600 × 500 mm
During the Baroque era, fear of water was widespread. People believed that water caused sickness. This work, attributed to Rembrandt, implies that this fear was transferred to ducks.
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DUCKOMENTA original :
Oil on wood, 250 × 200 mm
A mere 37 surviving works by Jan Vermeer van Delft can be verified as having been realised by the artist. This oil sketch was found in the safe of a local savings bank in Delft. His impoverished widow probably used it as collateral for a loan.
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